Tina Modotti was a restless soul on an journey through art, politics, and history. A courageous fighter and humanitarian until the end. Tina is a true heroine with a strong passion for life, and love for photography.

Review Summary: Tina Modotti achieved a remarkable level of accomplishment in a photographic career that spanned merely 7 years and 250 images. Her work captures many of the best elements of the compositional skills of Edward Weston, her mentor and lover, while adding a heart-felt attraction for people that Mr. Weston's work lacked. These images of portraits, still lifes, and architecture from her years in Mexico are much more appealing to me than Mr. Weston's are from the same period. The extensive biographical essay also corrects many misconceptions about Ms. Modotti's life.

Reader Warning: This book contains some partial female nudity, mostly of women nursing their babies.

Review: "Tina Modotti is the best-known unknown photographer of the twentieth century . . . ." Her work exhibits "extraordinary formal clarity coupled with incisive social content." Her style obviously was influenced by Edward Weston, due to their long association and personal closeness. Other influences include the Movimento Estridentista (the Mexican reaction to Futurism), New Vision, and the German Arbeiter-Fotograf movement. The vision is uniquely hers.

My assumption is that you have never seen her work. I certainly never had. Ms. Modotti's images are a nice surprise. Often books that make these kinds of claims about their subject don't have the content to support them. This one does live up to its bold premise about her photography. Of her own work, Ms. Modotti observed that her purpose was "to produce not art but honest photographs." All of her images are contact prints, and her technique shows the minimum of trying to provide eye candy. What they do show is a wonderful eye for the interesting and heart-warming. You will have a much more emotional reaction to these images than to the photographs of many outstanding photographers, a group in which Ms. Modotti belongs.

Relatively unschooled in a formal sense, she was an emotionally-based Communist. Some may not appreciate the political content of some of her images, such as the various ways of portraying the hammer and sickle symbol of the Soviet Union. I thought that these photographs were among the least interesting of her works.

Her life history was an interesting surprise to me. Coming from a poor family in Italy, she appears to have pulled herself up by the bootstraps as a seamstress. First working in garment factories, she probably became a costume seamstress and from there launched her performing career as an actress and model. Often portrayed as the lover and friend of various famous men, she probably viewed them as an appendage to her. History has been successfully revised in the excellent biographical sketch in this book.

My favorite images in the book include:

Edward Weston, 1924; Open Doors, c. 1925; Staircase, c. 1924-26; Convent of Tepotzotlan (Stairs Through Arches), 1924; Geranium, c. 1924-25; Easter Lily and Bud, c. 1925; Interior of Church, 1924; Elisa Kneeling, 1924; Carelton Beals, 1924; Portrait of a Woman, c. 1926-29; Federico Marin, 1926; Ione Robinson, 1929; Two Children or Boys from Colonia del la Bolsa, c. 1927-28; Hands Resting on Tool, 1927; Woman with Flag, 1928; Techuantepec Type (Woman Smiling), c. 1929; and Young Pioneers, 1930.

The images for the first two or three years could easily have been done by Edward Weston, but show a connection to daily living that his more ethereal works do not display. After that, the works definitely separate in content, style, and focus. If you like Mr. Weston's work, you may enjoy comparing his Mexican images with hers.

After producing all but a few of these photographs, Ms. Modotti left Mexico for Russia and eventually played an important role in the Spanish Civil War in evacuating children and as a nurse. All of those parts of her life are recounted in the book's biographical essay.

After you enjoy these uplifting views of the nobility of people, nature, and of human efforts, I suggest that you think about what you convey about these subjects to your children or grandchildren. Do they know what your views are and why you hold them? If not, you might consider taking photographs and writing notes to go with them to help share your vision of the world. Whether they agree or not, you will enrich them in important ways.

Seek out the best in every situation!

"Two thumbs up" is the simplest review for this historical analysis of the Mexican War of 1846-48. I read Johannsen's book for a class on U.S. Diplomatic History between 1776 and 1913 and loved it!! Johannsen discusses the image of the Mexican War in Americans' minds, not so much the military history of the battles. We get a better perception of America as a whole in 1846. Americans were living in an age of social and economic changes and believed that commercial pursuits were destroying the republican foundations of the new nation. To many Americans, the war with Mexico rejuvenated republican spirits and showed the superiority of the Anglo-Saxon United States against a "backward," supposedly racially inferior Mexican enemy. This book goes beyond the accounts of critics of the war, who argued that President James K. Polk and others were trying to extend slavery across the continent. We get a better sense of American reaction to the Mexican War and the changes the United States underwent during this era of "Manifest Destiny."

riecken does a great job showing how each one in the family deals with the father being gone. you see a lot of love and the need for a united family. also, it's realistic. i have been to mexico and know that those kind of things happen. the pictures are beautiful and captivating. i recommend it!

Wherever you travel in the Mundo Maya; this study of the Zinacanten of Chiapas, offers the clearest, most "understanding" anthropological study by "friends" of the Maya that anglos are likely to have translated to them. What is truely impressive is that what Evon Vogt presented here is so understated, so much like what a dinner party is like in Chiapas, or Q-Roo, or the Peten, that we can feel what the writers of the Popul Vuh felt in their hearts! Itzam'na.

Money is scarce on the Navaho reservation and the lack of funds in the police department means less officers and increasingly faulty and out of date equipment. Officer Frankin calls in a possible burglary in progress and requests help but the broken radio stopped working before he can give a location. By the time Ella Clah, the officer in charge of the special investigations unit, finds him, he is dead with a bullet in his brain.

It is clear that money is needed to upgrade the equipment and hire more officers. NEED (Navaho Electrical Energy Development) thinks they have the solution to the problem. They want to build a small clean nuclear power plant on the reservation believing it is a step in making the tribe self-sustaining. There is a large segment of the Navaho population that doesn't want anything to do with the project and those who are adamantly opposed to the project wind up dead or shot at. It looks like the NEED forces are turning militant but Ella suspects a cold-blooded killer is making it look that way while pursuing a personal agenda.

TRACKING BEAR is a great police procedural that gives readers an insightful look into the culture of the Navaho living on the reservations today. The novel displays the schisms in the tribe between the traditionalists and the modernists as well as the new traditionalists. The who-done-it is complex, compelling and exciting with a plethora of suspects from a grieving father to a Navaho activist. Aimee & David Thurlo have written another fascinating installment in this popular mystery series.

Harriet Klausner

I realy like this book,because is very usufull. I discover this wonderfull book in the library while i looking for special recipees for make a " Rosca de Reyes decorada con flores de Nochebuena", and I discover a lot of a tradicion in my country Mexico.

"Transfoming Modernity" tells the story of the popularization of Mexican culture and crafts. He shows how the desires and tastes of tourists have homogenized traditional Mexican crafts into the few forms favored by tourists (like those associated with death and skulls). He also talks of the folklorization of festivals. Festivals ostensibly in honor of saints have become huge tourist attractions, which have lead to their mutation into little more than a market to sell goods. Very, very interesting and theoretical look at how the global affects the local, and at culture change...something people often talk about but never demonstrate this effectively.

Very useful reference for anyoine interested in the Mexican auto industr

In A Traveller's History Of Mexico, historian Kenneth Pearce provides the reader with an informative, engaging history that begins the prehistoric life of the region, and continues with the coming of the Olmecs and the Mayans (1150-1000 BC), whose cultures were subsumed into the Aztec empire. The reader is treated to a vivid account of Aztec life and its ultimate demise with the arrival off the Spanish conquistadors. The consequent greed, corruption, and oppression of Spanish colonial rule and the Catholic Church are covered in detail. Pearce then moves on to the 19th Century War of Independence which led to the founding of the Mexican Republic, the brief reign of Emperor Maximilian and the Empress Carlotta, the dashing Santa Anna (who led the siege on the Alamo); revolutionaries Emiliano Zapata and Pancho Villa, and other influential characters that were caught up in Mexico's' often violent power struggles. Highly recommended for personal, school, and community history collections, A Traveller's History Of Mexico concludes with the last 70 years of one-party political domination, recently ending with an election of the opposition, and the contemporary social issues of an expanding population, drugs, pollution, corruption, and an oppressed indigenous population.